In a new series of tutorials we examine the intricacies of FL Studio – recently upgraded to version 12.1 and fast becoming one of the world’s most popular DAWs. In this first installment Arlo Giunchi talks us through juggling beats while in performance mode…
Performance mode was added to FL Studio primarily as a live performance tool and has since been seen in numerous YouTube videos and live performances. The following tutorials explain how it can be used for creative beat juggling in an actual live situation or during song production.
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Essentially performance mode in FL Studio is the ability to trigger any audio, pattern or automation clip in the playlist directly, each playing independently of the project time line. These can be set to loop, play as one shots or other special playback modes such as marching clips.
Control can be achieved by simply clicking clips with the mouse, pressing keys on your typing keyboard, playing notes on a MIDI controller keyboard, pressing on a multi-touch screen or via one of the supported hardware controllers. The Novation Launchpad S is an ideal example along with others such as the Livid BASE or even the DJ TechTools MIDI Fighter 3D. LED feedback of the available clips and which are playing is displayed.
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Many also include custom note and controller layouts so you can combine your clip triggering with melodic lines, finger drumming or parameter automation directly on the same device. Scene mode on hardware devices will trigger multiple clips via a single press, while snap mode can change or bypass the current trigger quantization value for creative changes.
Instead of being placed in a separate window or tab as in Ableton Live, the area where you trigger your clips is just another part of the normal playlist. Anything before your Song start marker can be triggered. Additional markers define columns of pads on external controllers. The orientation of the clips are horizontal, matching each playlist track.
Not only an actual performance feature, the playback order of clips can be recorded to the playlist, and be used as a real time song arrangement tool. The clip juggling described in the following 2 tutorials can be recorded. This pattern clip triggering can then be merged to a new pattern clip from playlist options. This means easier arrangement later or it can be moved back into the performance zone to continue the process.
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Importantly performance mode plays the actual clips and not the source audio channels or note patterns. This means you could have the same pattern edited to different lengths or start points and each can be triggered independently of each other. Chop a one bar drum loop into small segments for example and each will play separately. Slice a chord progression pattern clip into its component chords to rearrange them on the fly.
Using auto position sync, clip playback starts from the position inside the clip relative to the song time, effectively a ‘legato’ mode. This allows you to always start a clip in the correct ‘phase’ with your song and other playing clips, for example if the first clip is playing its third bar and you trigger the second clip, the second clip will continue playback from its third bar instead of from its start.
Inspired by the sample chopping software MLR on the Monome grid controller, march and wrap mode recreates a similar function popularized by Daedelus. Chop audio, patterns or automation clips into segments that can be triggered in any order, letting the loop continue from that point.
Trigger a clip on one pad zone and once it has finished the clip on the next pad zone will play. For example, chop a drum loop clip into eight segments and place each on eight different pad zones on the same track. Now you have access to eight different start points within that one drum loop. Trigger one and the rest of the clip segments play in sequence, repeating the loop.
Performance Mode Set-Up.
Performance mode can be set up manually or automatically. Tools > Macros > Prepare for Performance mode will add 16 pad zone markers, a song start marker to the beginning of the playlist and enable performance mode in playlist options.
Drag or create clips in this performance zone to be able to trigger them. Highlight a section of the time line and use Ctrl+Insert to add more space for markers to the performance zone. Use Playlist Options > Markers > Add one > Every 4 bars to add more zones. In an existing project you can add markers in the playlist. Right click one and set it to the start marker type. Now the clips before this marker can be triggered in performance mode.
Click Here For Step-by-Step
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Among the many tweaks, enhancements and improvements made to the latest version of Image-Line’s 20-year-old PC and - now - Mac DAW, the ability to program time signature changes is possibly the most musically creative.
If you've never strayed beyond the comfort zone of 4/4 before, this gives the perfect opportunity to spread your compositional wings and discover the joys of odd meter. Here's how it works…
For the full guide to FL Studio 20, pick up the Autumn 2018 edition of Computer Music.
Step 1: Odd metres and changing time signatures are the hallmarks of certain genres, some fashionable, some not. Metrical acrobatics can add interest - or, admittedly, clear the dancefloor! Either way, FL Studio now supports multiple time signatures. Here, our playlist consists of a simple 4/4 pattern.
Step 2: We’ll leave that one as it is for now, and add a new pattern to the Playlist. Once we’ve done that, we can right-click it to call up a menu of options. Choose Set Time Signature. We’re met with an empty piano roll and a tiny floating box into which we can enter a numerator and a denominator.
Fl Studio Add Marker On Face
Step 3: Choose 7 for the numerator, and 8 for the Denominator. The latter determines the beat division (1/4 notes, 1/8th notes and so on), while the former denotes the number of beats in a bar. Our selections will give us a metre of 7/8 - an unusual time signature, to say the least!
Step 4: Having entered the time signature, click Accept and the step sequencer grid and piano roll will change to reflect it. Let’s create an interesting beat in the step sequencer. Note that there’s a marker in the upper-left of the piano roll that tells us we’re using a 7/8 time signature.
Step 5: Close the piano roll. Next, drag consecutive instances of our two patterns into the arrangement, with the 4/4 pattern appearing first, followed by the 7/8. The second doesn’t fill out the grid, as our playlist isn’t following the pattern’s metre. Open the clip properties for Pattern 2 and select Use current time signature from > Pattern to playlist.
How To Add A Marker In Fl Studio 20
Step 6: As you can see, there’s now a marker at bar 2, beat 1, indicating that our metre changes at that point. We can also enter such markers directly in both the piano roll and the playlist editors. Simply right-click where you’d like the new metre to begin and choose Add time signature. Time signature markers can be dragged to wherever you like.